I think books with weak or translucent plots can survive if the character being drawn along the path is rich, interesting and multi-faceted. The opposite is not true.
One person really can make a difference.
I don't just want to be another cog in the gears of Hollywood.
As you get older you're told to be sensible, but it's important for writing if you're a comic that you're able to still access that childlike thing.
I keep things pretty simple.